(Source: goldenwolf, via andotherimportantthings)
Sombrero Fallout, Richard Brautigan
(Source: goldenwolf, via andotherimportantthings)
‘Morning of Drunkenness’, Illuminations, Arthur Rimbaud
Literally every chapter has something so unspeakably dreadful that is made far, far worse by the dual facts that 1. This is a young boy and 2. This is J. G. Ballard as a young boy.
Chapter 1. Lowering the window, Yang lashed with his leather riding crop at the thoughtless pedestrians…
Chapter 2. Jim told himself that he (a homeless man) never moved because he was warm under the snow.
Chapter 3. In the trenches between the burial mounds hundreds of dead soldiers sat side by side with their heads against the torn earth, as if they had fallen asleep together in a dream of war.
Chapter 4. Jim disliked this regatta of corpses.
And it just keeps going on and on like this, the boy so alienated from love and life that war and death have become his whole world. Where I had to stop today, purely because it was torture to keep reading, was the end of chapter 29. A dying woman hands Jim some food and he almost drifts off to sleep, knowing that to do so will mean being left behind.
Chapter 29. Death, with her mother-of-pearl skin, had almost seduced him with a sweet potato.
I never want anything to die ever again.
Found at St James station: this kid, totally killing it.
Gravity’s Rainbow, Thomas Pynchon
St James station at night.
(Source: eternalgiver, via raven-shire)
We are half mad with love for death.
Otherwise, how could we ignore sunrise
a sea of night absorbed, sky-born colours falling. But
our sunrises are drunken, or sleepless
& we won’t bother with them tomorrow.
Here: I am making a phrase
it occupies one vast, blooming shadow.
Our realm is drowned, the foaming
stars crash above.
Again: the book is concluding
words blurred, animated, desperate for the end.
The kitten claws at the flyscreen
for a magpie is combing the grass.
All your days you’ve noticed, but never said
how sweet it is
to be without dreaming.